Sounds that were warmer, richer, and fuller than their only serious contemporary competitor, the Wurlitzer, flowed forth. Rods or metal bars generated a tone which was captured by a pickup and fed into an amplified speaker. Do you want to sound like The Beatles (‘Get Back’) or Stevie Wonder (‘You Are The Sunshine Of My Life’)? Or simply sound like yourself? Stage-73 V physically models those indispensable instruments that made a million love songs sound lovelier by emulating electromechanical characteristics of the tine-based electric pianos designed by Harold Rhodes. Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) - allowing advanced integration with third-party software instruments - is in its DNA.
This can now be anyone’s sound on stages and in studios anywhere in the world, working both as a standalone instrument on Mac OS X and Windows and as a plug-in in all major formats inside any DAW (Digital Audio Workstation) with easy MIDI-learn functionality for hands-on control of many of its parameters and automation support for considerable creative control (in plug-in mode). It’s the sound of the Sixties, the sound of the Seventies… the sound of today, the sound of tomorrow. Stage-73 V successfully transports past technologies to the present-day desktop. GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Stage-73 V - an authentic-sounding software simulation of the Seventies-vintage Stage and Sixties-vintage Suitcase 73-key electric pianos - as of May 19…
0 kommentar(er)
